Three Percent
Two Month Review
TMR 24.6: "Liquidate It At Cost" [Melvill]
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TMR 24.6: "Liquidate It At Cost" [Melvill]

Alan Melvill goes for a walk.

With Melville's Fidèle receding into the dark distance, we turn our attention to Rodrigo Fresán's Melvill, a bombastic book about Alan Melvill and Herman and the passing down of stories from one generation to the next. On this special episode, translator Will Vanderhyden joins Brian, Chad, and Kaija to talk about translating Fresán, about the style and word play found in his books, about the footnotes, about what's to come. They also talk about the line connecting this to Confidence-Man, and how to read footnotes. And about the interplay between two narratorial voices in this first part.

Also mentioned are this interview with Fresán on Between the Covers, this one with Will Vanderhyden on Beyond the Zero, and this new Fresán story ("Music to Destroy Worlds" (An Exoeriment)") in Southwest Review.

And here's where you can get your own "Grifters Gonna Grift" t-shirt mentioned in this episode.

Next episode will cover pages 62-123 of Rodrigo Fresán's Melvill. You can find the full reading schedule here.

This week's music is "Sink or Swim" by Young Fathers.

You can find all previous seasons of TMR on our YouTube channel and on Apple Podcasts, Spotify, etc. Please rate and review! It helps more than you know.

Follow Open Letter, Two Month Review, Chad Post, Kaija Straumanis, and Brian Wood for random thoughts and information about upcoming guests.

Discussion about this podcast

Three Percent
Two Month Review
Each “season” of Two Month Review highlights a different new and amazing work of world literature, reading it slowly over the course of eight to nine episodes. Featuring a rotating set of literary guests—from authors to booksellers, critics, and translators—the individual episodes recap a short section of the book and use that as a springboard for a fun (and often irreverent) discussion about literature in a general sense, pop culture, reading approaches, and much more. Talking about great books doesn't need to be deadly serious, and the levity of 2MR makes it accessible to everyone (even if you’re not reading along).